Pete Seeger er død

Den legendariske vise- og protestsangeren Pete Seeger sovnet stille inn i natt, 94 år gammel.

Folkesangeren som samlet på Amerikas sjel og stod opp for de fattige, samt sang harde protestsanger rettet mot politikernes manglende vilje og gjennomføringskraft, døde i natt, 94 år gammel i New York på Prestbyterian sykehuset.

Vi lyser fred over Pete Seegers minne.

Seeger er i Skandinavia mest kjent for folkeviser som «If I Had a Hammer», «Where Have Alle the Flowers Gone», «My Rainbow Race» og «We Shall Overcome». Seeger hadde sin glansperiode på 1950- – ’70-tallet, og var svært aktiv i antikrigsbevegelsen mot Vietnamkrigen.

Han har vært en stor inspirator for svært mange av amerikanske vise-, folk- og rockesangere som har kommet etter ham, deriblant Bob Dylan og Bruce Springsteen.

Seeger bidro til å manifestere den fantastiske «This Land is Your Land» (Woody Guthrie) til USAs «alternative» nasjonalsang

Han fikk blåst nytt liv i karrieren, og nådde en helt ny generasjon, etter at Bruce Springsteen i 2006 utgav folkesang-albumet «We Shall Overcome: The Seeger Sessions». En samling tradisjonelle amerikanske folke- og protestviser som var assosiert med, og gjort kjent av, Pete Seeger.

Springsteen We Shall Overcome
Her gir Bruce Springsteen alt under «The Seeger Sessions turneen» i Oslo Spektrum, mai 2006

Pete Seeger opptrådte under innsettelsen av USAs 44. president, Barack Obama, ved Washington-monumentet, den 19. januar 2009.

Her er hele Springsteens tale til Pete Seeger på hans 90-års bursdag:
«As Pete and I traveled to Washington for President Obama’s Inaugural Celebration, he told me the entire story of “We Shall Overcome”. How it moved from a labor movement song and with Pete’s inspiration had been adapted by the civil rights movement. That day as we sang “This Land Is Your Land” I looked at Pete, the first black president of the United States was seated to his right, and I thought of the incredible journey that Pete had taken. My own growing up in the sixties in towns scarred by race rioting made that moment nearly unbelievable and Pete had thirty extra years of struggle and real activism on his belt. He was so happy that day, it was like, Pete, you outlasted the bastards, man!…It was so nice. At rehearsals the day before, it was freezing, like fifteen degrees and Pete was there; he had his flannel shirt on. I said, man, you better wear something besides that flannel shirt! He says, yeah, I got my longjohns on under this thing.

And I asked him how he wanted to approach “This Land Is Your Land”. It would be near the end of the show and all he said was, “Well, I know I want to sing all the verses, I want to sing all the ones that Woody wrote, especially the two that get left out, about private property and the relief office.” I thought, of course, that’s what Pete’s done his whole life. He sings all the verses all the time, especially the ones that we’d like to leave out of our history as a people. At some point Pete Seeger decided he’d be a walking, singing reminder of all of America’s history. He’d be a living archive of America’s music and conscience, a testament of the power of song and culture to nudge history along, to push American events towards more humane and justified ends. He would have the audacity and the courage to sing in the voice of the people, and despite Pete’s somewhat benign, grandfatherly appearance, he is a creature of a stubborn, defiant, and nasty optimism. Inside him he carries a steely toughness that belies that grandfatherly facade and it won’t let him take a step back from the things he believes in. At 90, he remains a stealth dagger through the heart of our country’s illusions about itself. Pete Seeger still sings all the verses all the time, and he reminds us of our immense failures as well as shining a light toward our better angels and the horizon where the country we’ve imagined and hold dear we hope awaits us.

Now on top of it, he never wears it on his sleeve. He has become comfortable and casual in this immense role. He’s funny and very eccentric. I’m gonna bring Tommy out, and the song Tommy Morello and I are about to sing I wrote in the mid-nineties and it started as a conversation I was having with myself. It was an attempt to regain my own moorings. Its last verse is the beautiful speech that Tom Joad whispers to his mother at the end of The Grapes of Wrath. “…Wherever there’s a cop beatin’ a guy Wherever a hungry newborn baby cries Where there’s a fight ‘gainst the blood and hatred in the air Look for me Mom I’ll be there.”

Well, Pete has always been there.

For me that speech is always aspirational. For Pete, it’s simply been a way of life. The singer in my song is in search of the ghost of Tom Joad. The spirit who has the guts and toughness to carry forth, to fight for and live their ideals.

I’m happy to report that spirit, the very ghost of Tom Joad is with us in the flesh tonight. He’ll be on this stage momentarily, he’s gonna look an awful lot like your granddad who wears flannel shirts and funny hats. He’s gonna look like your granddad if your granddad could kick your ass.

This is for Pete…

– Bruce Springsteen – May 3, 2009″

Les mer om hans fantastiske liv og karriere her!

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Tor Aavatsmark

(f. 1974): Lyd & Bildes dedikerte filmanmelder, samt administrerende direktør. Tor har jobbet i L&B siden 2005. I perioden 2003-2005 var han og en partner eiere av et magasinforlag, med blant annet et filmmagasin i porteføljen, en interesse han har dratt med seg inn i L&B. Tor er utdannet cand.polit. fra UiO, men finner seg meget godt til rette bak rattet i en mediebedrift.

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